Tangerine dream allmusic1/17/2024 ![]() This is a satisfying ambient record from the pre-ambient era, too dark for meditation, and too good to be forgotten. The rest are vapors, your ears are sweating under your headphones, and the smoke has cleared from your bedroom. The piece evolves through varying degrees of tension, takes a pit stop on the shoreline of some faraway beach, then ever so gradually unravels a cluster of free-form strings and flutes. Rising out of the murkiness, the synthesizer arpeggios return to drive things along, and Froese weaves his backwards-recorded guitar through the web without really calling too much attention to himself. 2" opens in a wonderfully haunted way, like air-raid sirens at the lowest possible pitch, joined in unison by several male voices (someone in the band must have heard György Ligeti's work for 2001). 1" ebbs and flows through tense washes of echo and Mellotron choirs, as primitive sequencer lines bubble to the surface. The somewhat dated palette of sounds here never overshadow the mood: eerie psychedelia without the paisleys - Pink Floyd without the rock. Rubycon has aged gracefully for the most part, making it a solid companion (and follow-up) to their 1974 album, Phaedra. The three of them had been delivering mysterious space records on a regular basis, and their growing confidence with early synthesizers (the best that money could buy at the time) made them virtuosos of the genre, even as they kept things organic and unpredictable with gongs, prepared piano, and electric guitar. Raum feels a little bit more like a transitional work than the unexpectedly solid Quantum Gate, but that album seemed like more of an overt revisit of the band's classic sound, while Raum finds them taking more chances and exploring fresh ideas.The members of Tangerine Dream continued to hone their craft as pioneers of the early days of electronica, and the mid-'70s proved to be a time of prosperity and musical growth for the trio of Chris Franke, early member Peter Baumann, and permanent frontman Edgar Froese. As Tangerine Dream's influence seemed more prominent throughout electronic music during the 2010s than it had since the group's heyday, the existing lineup produced the band's most inspired work in ages. Somewhere along the line, Tangerine Dream figured out a way to produce motion picture scores without paying too much attention - as happened with this. All structured data from the main, Property, Lexeme, and EntitySchema namespaces is available under the Creative Commons CC0 License text in the other namespaces is available under the Creative Commons Attribution-ShareAlike License additional terms may apply. The rhythmic pulsations and arpeggios build up without fully locking into a beat pattern, and after it feels like the band is pausing to avoid the risk of burnout, wisps of synth and violin textures begin to seep in, and the track momentarily returns to full bloom. This page was last edited on 11 June 2023, at 21:23. "Raum" is the album's other epic, and it's somewhere in between '90s ambient techno and space rock, with lush synth pads accompanied by distorted leads that come close to sounding like soaring guitars. "Along the Canal" is filled with jittery arpeggios and flute-like synth trails, and like the band's mid-'70s work, it feels like it's being shaped by human hands in real time rather than meticulously programmed. While moments like this are a thrilling blend of old and new, one of the record's best tracks is much more in line with vintage Tangerine Dream. Rockoon is one of Tangerine Dreams Miramar CDs and one of their Grammy-nominated albums. Tangerine Dream are a German electronic music band founded in 1967 by Edgar Froese. The horizon clears for a stunning burst of light, which gives way to the album's sweetest, most hopeful melodies. Raum's centerpiece is the 19-minute "In 256 Zeichen." Following a nebulous intro, Yamane's mesmerizing violin loops emerge, and they become swept away in a current of percolating synths and intricate beats. ![]() Notably absent is Ulrich Schnauss, who joined the band in 2014, yet curiously enough, the album often sounds more like his own work than Tangerine Dream's - glimmering opener "Continuum" and the downtempo crawl "You're Always on Time" are both easy to mistake for Schnauss, or contemporaries such as Tycho. For this recording, Thorsten Quaeschning, Hoshiko Yamane, and recent addition Paul Frick (of Brandt Brauer Frick) were given access to Froese's archive of Cubase arrangements and tape recordings dating back to the 1970s, so like their previous studio album, 2017's Quantum Gate, he's still present in spirit. Reviewed in the United States on November 11, 2008. Raum is Tangerine Dream's second studio full-length since founder Edgar Froese died in 2015, though the group has additionally released several live albums and EPs. ![]()
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